'Don't Let Me Down'

I've been blasting The Beatles whenever I get in the van.

And I'm learning a lot too. Here's a bit on "the rooftop concert," at Telegraph UK.

'The Beatles Illuminated: The Discovered Works of Mike Mitchell' — at Christie's

I saw this on ABC News last night, "Unseen Photos of The Beatles' First US Concert."

And at Christie's: "Sale Information."

And staff members at Christie's share their memories of The Beatles, from surprisingly profound (Kerry Keane) to embarrassingly lame (John Hays). And from Laura Paterson, insightful honesty:

I love the early albums and movies, Hard Day’s Night and Help! This was the Fab Four at their most carefree and surreal (Yellow Submarine notwithstanding). By the time I reached my teens, they simply weren’t cool (Granny liked them, after all), and I switched my allegiance to their rivals, the much edgier seeming Rolling Stones (Granny hated them). Over the years, I’ve come to appreciate their immense influence on popular music and culture. The Beatles define superstardom; from L.A. to Ulaanbaatar, everyone knows who they are.

Impressions: The Beatles LOVE Cirque du Soleil

I mentioned previously how moved I was by the show in Las Vegas. Charles Spencer, writing at The Telegraph UK in 2006, really captures the feeling:

Everything that was bold and beautiful, fresh and funny, sad and just plain silly about the Beatles comes together in this ravishing and almost indecently spectacular show. It's what old hippies call a head-trip, a constant 90-minute rush of dazzling sights and sounds.

But for those of us who grew up with the Beatles - and the first record I ever bought was She Loves You, aged eight, in 1963 - this latest piece from Cirque du Soleil is also overpoweringly moving. For it achieves the apparently impossible, allowing you to hear the Beatles with fresh ears. At times you seem to be listening to the music of your childhood and youth as if for the first time.

Spencer's a progressive, but folks might put aside ideological reservations and just enjoy the show. We were kids once. "Let It Be" is my most powerful Beatles memory as a child (and "Hey Jude" is right up there), and sometimes nostalgia is overpowering. And recall that recently I've been moved by George Harrison's songs, and it turns out that the one entirely original song at LOVE is Harrison's "While My Guitar Gently Weeps." It's just so impressive all around.

I'm taking my kids to see LOVE next time we're in Las Vegas. They'll have to listen to some of the CDs, but they're already familiar with a whole lot of The Beatles from hanging out with me, my musical tastes, and from just the radio environment.

Leftists Freaked Out Over News of John Lennon as Republican

Well, mostly Jon Wiener at The Nation, although Joel Achenbach, at WaPo, "can't imagine" John Lennon as a Republican. Cute, isn't that?

But see James Delingpole, at Telegraph UK, "Was John Lennon a secret Reagan Republican?"

Over at the leftie Nation, historian Jon Wiener is having a massive sense of humour failure at this outrageous slur on a man probably second only to Che as an icon of international left-wing street credibility.

Exactly.

This story is so last month, but I couldn't get it out of my mind this week while visiting The Beatles LOVE Cirque du Soleil.

'Get Back'

Okay, this clip's from early in the show. Notice at how the dividing curtains fall at about 45 seconds. The theater is divided into quadrants. The curtains are up as guests are seated. Later throughout the performance projections onto large screens are used as part of the performance. There are also a couple of transitional segments with musical choreography projected as well. The crashing bricks here represent something of the Beatles' origins and search for meaning of the rubble of the war. From the commemorative booklet:

The action suddenly stops cold and we flash back further still, to the chaos and devastation of war. Sgt. Pepper's Lonely Hearts Club Band is destroyed. But there is hope:

'A Day in the Life'

More video:

'Octopus's Garden'

Okay, I promised more from "Love."

"Octopus's Garden" is toward the last third of the performance. I'm looking around for some clips from earlier parts of the show, which begins with background from the Beatles' origins in Liverpool during WWII.

I love this, in any case.

Bonus: Ringo live clip. He was touring last month, and spoke to the 5th anniversary audience by satellite feed.

The Beatles LOVE Cirque du Soleil

My wife and I have seen three performances so far by Cirque du Soleil. The shows are simply outstanding, but nothing's left me with the same feelings as the LOVE production. I'll be writing about it this weekend, and posting music videos and commentary. I've never been an absolute Beatles junky. The show was transformative, however. I can see better than ever how important The Beatles are to American culture. And not just from the show, which was so good — exquisite even. It's the fans, the excitement, and the demand for it all. I'll save some thoughts for later this morning. Here's the brief advertisement at the Mirage YouTube page:

The BBC had a write up in 2006, "Love unveils new angle on Beatles."

And last month, at Las Vegas Sun, "Paul McCartney, Yoko Ono lead celebration for ‘Love’ anniversary."

See the write up at Rolling Stone, "Paul McCartney Celebrates Fifth Anniversary of the Beatles 'Love' Show: Yoko Ono, Sean Lennon also attended Las Vegas performance."

'My Generation'

Via Kurt Loder, on Twitter:

John Lennon a Republican?

Well, if true, I might be able to enjoy The Beatles again (or enjoy them more, since I won't be so reminded of Lennon's stupid political idealism, and I love George Harrison no matter what).

At the Toronto Sun, "Lennon was a closet Republican: Assistant."

And worth a look: Daniel Foster, at National Review, "Fool Comes Down from Hill." (At Memeorandum.)

John Lennon a Republican?

Well, if true, I might be able to enjoy The Beatles again (or enjoy them more, since I won't be so reminded of Lennon's stupid political idealism, and I love George Harrison no matter what).

At the Toronto Sun, "Lennon was a closet Republican: Assistant."

And worth a look: Daniel Foster, at National Review, "Fool Comes Down from Hill." (At Memeorandum.)

Beyoncé's Exclusive Pop Star Deal at Target

The question is why, considering Lady Gaga bailed out three months ago.

Needed the money, I guess. She's less controversial, in any case.

At Brand Channel, "Target Safe On Beyonce Deal, Not On LGBT Pride Events Sponsorship."

The "Telephone" video is here ("clean version").

VIDEO: Katy Perry Rolling Stone Photo Shoot

At London's Daily Mail, "'I wanted to lose my ample curves': Katy Perry reveals her unusual teenage dream to Rolling Stone."

And at Rolling Stone, "Katy Perry Talks Body Image, Fame and Politics in Rolling Stone Cover Story."

Ellie Goulding — 'Your Song'

An encore from yesterday.

Goulding sang at the Royal Wedding. See Telegraph UK, "Royal wedding: singer's joy at 'honour' of royal wedding performance."

'Starry Eyed'

At the recommendation of my oldest son, Ellie Goulding:

Lady Gaga Attracts Marxist Philosopher Slavoj Žižek (and Vice Versa)

I still like her, but she makes it hard. Sheesh.

At New York Post, "Marxist Theorist Slavoj Žižek 'The World's Hippest Philosopher' Catches Lady Gaga's Attention."

Lady Gaga has struck up a strong friendship with mysterious Marxist Slavoj Zizek, dubbed "the world's hippest philosopher."

In the midst of her rift with long-term boyfriend Luc Carl, eyebrows were raised over Gaga's decision to spend a lot of time with the 62-year-old, bearded, postmodern theorist and pal of Julian Assange while she was touring the UK and US this spring.

Sources say Gaga and Slovenian-born Zizek -- who like Salman Rushdie seems to be intellectual catnip to beautiful women and who was once married to Argentine model Analia Hounie -- spent time together discussing feminism and collective human creativity. The pop star also agreed to support Zizek at a March rally in London when the lecturers' union UCU was on strike.

In a recent blog post titled "Communism Knows No Monster," Zizek called Gaga "my good friend" and said, "There is a certain performance of theory in her costumes, videos and even (some of) her music." He says her infamous meat dress is a reference to "the consistent linking in the oppressive imaginary of the patriarchy of the female body and meat, of animality and the feminine."

More at that link above, and check DSG, "ŽIŽEK/GAGA: Communism Knows No Monster." Too much drivel, but it's the nihilist, postmodern insight into Gaga and culture's that's key. Freaky.

RELATED: See Adam Kirsch, at TNR, "The Deadly Jester":

The curious thing about the Žižek phenomenon is that the louder he applauds violence and terror—especially the terror of Lenin, Stalin, and Mao, whose "lost causes" Žižek takes up in another new book, In Defense of Lost Causes—the more indulgently he is received by the academic left, which has elevated him into a celebrity and the center of a cult. A glance at the blurbs on his books provides a vivid illustration of the power of repressive tolerance. In Iraq: The Borrowed Kettle, Žižek claims, "Better the worst Stalinist terror than the most liberal capitalist democracy"; but on the back cover of the book we are told that Žižek is "a stimulating writer" who "will entertain and offend, but never bore." In The Fragile Absolute, he writes that "the way to fight ethnic hatred effectively is not through its immediate counterpart, ethnic tolerance; on the contrary, what we need is even more hatred, but proper political hatred"; but this is an example of his "typical brio and boldness." And In Defense of Lost Causes, where Žižek remarks that "Heidegger is 'great' not in spite of, but because of his Nazi engagement," and that "crazy, tasteless even, as it may sound, the problem with Hitler was that he was not violent enough, that his violence was not 'essential' enough"; but this book, its publisher informs us, is "a witty, adrenalinfueled manifesto for universal values."

More Stalinist terror AND Hitler wasn't violent enough.

No wonder he's the bomb on the left. The is right up Robert Farley's alley!

(And folks gotta read that whole TNR essay. It's a real encapsulation of today's left:

That liberalism is evil and that communism is good is not his conclusion, it is his premise; and the contortions of his thought, especially in his most political books, result from the need to reconcile that premise with a reality that seems abundantly to indicate the opposite.

Hence the necessity of the Matrix, or something like it, for Žižek's worldview. And hence his approval of anything that unplugs us from the Matrix and returns us to the desert of the real—for instance, the horrors of September 11. One of the ambiguities of Žižek's recent work lies in his attitude toward the kind of Islamic fundamentalists who perpetrated the attacks. On the one hand, they are clearly reactionary in their religious dogmatism; on the other hand, they have been far more effective than the Zapatistas or the Porto Alegre movement in discomfiting American capitalism. As Žižek observes, "while they pursue what appear to us to be evil goals with evil means, the very form of their activity meets the highest standard of the good." Yes, the good: Mohammed Atta and his comrades exemplified "good as the spirit of and actual readiness for sacrifice in the name of some higher cause." Žižek's dialectic allows him to have it all: the jihadis are not really motivated by religion, as they say they are; they are actually casualties of global capitalism, and thus "objectively" on the left. "The only way to conceive of what happened on September 11," he writes, "is to locate it in the context of the antagonisms of global capitalism" ...

When it comes to the heart of the matter, what Žižek wants is not dialectic, but repetition: another Robespierre, another Lenin, another Mao. His "progressivism" is not linear, it is cyclical. And if objective conditions are different from what they were in 1789 or 1917, so much the worse for objective conditions. "True ideas are eternal, they are indestructible, they always return every time they are proclaimed dead," Žižek writes in his introduction. One of the sections in the book is titled "Give the dictatorship of the proletariat a chance!"

He's murderous. That sounds like REPSAC = CASPER. Perfectly. Evil)

U2 Live at Angel Stadium Anaheim

At LAT, "Live Review: U2 at Angel Stadium":

U2, formed in Dublin, Ireland, in 1976, returned to the Southland to make up for two concerts they were forced to cancel when singer Bono, 51, injured his back during rehearsals last spring.

During that forced intermission, other real-life hurdles challenged the notion that the band was indestructible. U2’s two principal songwriters, Bono and guitarist The Edge, teamed up with director Julie Taymor for a Broadway adaptation of Spider-Man called “Spider-Man: Turn Off the Dark” that has become the butt of jokes, the scene of injuries and the target of scathing reviews for nearly two years.

In an early critique of a preview "Spider-Man" performance, Times critic Charles McNulty called the music created by the two “a cacophonous brew.” The refurbished show officially opened last week, and the new reviews aren’t much better. Add to that Thursday's news that the California Coastal Commission had rejected The Edge's development proposal, decried by many conservationists, to build five mansions on an undeveloped site above Malibu, and, well, this hasn’t been a great year for U2.
So the question pre-concert became: How deep were these wounds? Could the power of music help redeem a band that throughout its career has declared over and over again its desire and ability to do just that? Basically, could U2 still bring it?

At the beginning of the concert, not really. Starting with “Even Better Than the Real Thing,” the band sounded muddled, the engine of the music not yet warm, the stadium not yet tuned, the fans experiencing the initial adrenaline rush but not yet buried inside the rhythms. And “I Will Follow,” the first cut on the band’s first album, "Boy” (1980), hasn’t aged well, even if it pulls at the nostalgia strings for many; the rhyme scheme is young and clumsy, the guitar line relatively simple and undynamic.

And when, during “Get on Your Boots,” two rolling bridges that connect different parts of the circular stage first rolled into place and The Edge and bassist Adam Clayton played in the middle above the crowd, the maneuver felt very 2009; too staged, too postured, and a touch clumsy -- even though the song is one of the danciest, most propulsive songs in the band’s catalog.

But something magical happened about 20 minutes in, during “Elevation.” Maybe it was the overjoyed crowd bellowing the song’s “Woooo-oooo” chorus in unison, or the way the lights reflected off the masses. Whatever it was, it rushed across Angel Stadium like a cold front, leaving in its wake the sacred sensation that all music lovers seek. The sound and vision clicked, the world started sparkling, the audience moving and singing as one. The moment swirled as Bono went carnal on us: “Higher than the sun, you shoot me from a gun,” he declared to his lover, and the thousands did it too. “I need you to elevate me here/At the corner of your lips/As the orbit of your hips’/Eclipse.

Amy Winehouse Booed Off Stage in Serbia, Cancels Part of European Tour

I spent three years in L.A. going to concerts, nearly every weekend, and the only performer I can recall on stage this drunk was Darby Crash of The Germs. He could sing, no matter how wasted, but he died from a drug overdose in 1980, just a couple days after the last time I saw the band play. I've never seen Amy Winehouse, but this is just sad. It's all sad, the drugs, the lost promise, the death. At the Independent UK, "They know that she's no good... Amy Winehouse booed off stage in Serbia," and Los Angeles Times, "Amy Winehouse cancels part of European tour":

That's When We Fall in Line...

The Go-Go's are touring. My wife and I tried to get tickets for their Pechanga show (August 20th), but it sold out fast. The band played on the Dancing With the Stars finale, although this is an earlier clip:

50 Best L.A. Bands

Following-up on my reports on Skylar Grey and Dave Alvin, the Los Angeles Times Magazine also featured the 50 best band out of Los Angeles. They're listed in no particular order, so folks can quibble with the organization at the link.

I'll post more songs later, but been diggin' some Crosby, Stills and Nash of late, so here you go, a classic: