'Don't Let Me Down'

I've been blasting The Beatles whenever I get in the van.

And I'm learning a lot too. Here's a bit on "the rooftop concert," at Telegraph UK.

'The Beatles Illuminated: The Discovered Works of Mike Mitchell' — at Christie's

I saw this on ABC News last night, "Unseen Photos of The Beatles' First US Concert."

And at Christie's: "Sale Information."

And staff members at Christie's share their memories of The Beatles, from surprisingly profound (Kerry Keane) to embarrassingly lame (John Hays). And from Laura Paterson, insightful honesty:

I love the early albums and movies, Hard Day’s Night and Help! This was the Fab Four at their most carefree and surreal (Yellow Submarine notwithstanding). By the time I reached my teens, they simply weren’t cool (Granny liked them, after all), and I switched my allegiance to their rivals, the much edgier seeming Rolling Stones (Granny hated them). Over the years, I’ve come to appreciate their immense influence on popular music and culture. The Beatles define superstardom; from L.A. to Ulaanbaatar, everyone knows who they are.

Impressions: The Beatles LOVE Cirque du Soleil

I mentioned previously how moved I was by the show in Las Vegas. Charles Spencer, writing at The Telegraph UK in 2006, really captures the feeling:

Everything that was bold and beautiful, fresh and funny, sad and just plain silly about the Beatles comes together in this ravishing and almost indecently spectacular show. It's what old hippies call a head-trip, a constant 90-minute rush of dazzling sights and sounds.

But for those of us who grew up with the Beatles - and the first record I ever bought was She Loves You, aged eight, in 1963 - this latest piece from Cirque du Soleil is also overpoweringly moving. For it achieves the apparently impossible, allowing you to hear the Beatles with fresh ears. At times you seem to be listening to the music of your childhood and youth as if for the first time.

Spencer's a progressive, but folks might put aside ideological reservations and just enjoy the show. We were kids once. "Let It Be" is my most powerful Beatles memory as a child (and "Hey Jude" is right up there), and sometimes nostalgia is overpowering. And recall that recently I've been moved by George Harrison's songs, and it turns out that the one entirely original song at LOVE is Harrison's "While My Guitar Gently Weeps." It's just so impressive all around.

I'm taking my kids to see LOVE next time we're in Las Vegas. They'll have to listen to some of the CDs, but they're already familiar with a whole lot of The Beatles from hanging out with me, my musical tastes, and from just the radio environment.

Leftists Freaked Out Over News of John Lennon as Republican

Well, mostly Jon Wiener at The Nation, although Joel Achenbach, at WaPo, "can't imagine" John Lennon as a Republican. Cute, isn't that?

But see James Delingpole, at Telegraph UK, "Was John Lennon a secret Reagan Republican?"

Over at the leftie Nation, historian Jon Wiener is having a massive sense of humour failure at this outrageous slur on a man probably second only to Che as an icon of international left-wing street credibility.

Exactly.

This story is so last month, but I couldn't get it out of my mind this week while visiting The Beatles LOVE Cirque du Soleil.

'Get Back'

Okay, this clip's from early in the show. Notice at how the dividing curtains fall at about 45 seconds. The theater is divided into quadrants. The curtains are up as guests are seated. Later throughout the performance projections onto large screens are used as part of the performance. There are also a couple of transitional segments with musical choreography projected as well. The crashing bricks here represent something of the Beatles' origins and search for meaning of the rubble of the war. From the commemorative booklet:

The action suddenly stops cold and we flash back further still, to the chaos and devastation of war. Sgt. Pepper's Lonely Hearts Club Band is destroyed. But there is hope:

'A Day in the Life'

More video:

'Octopus's Garden'

Okay, I promised more from "Love."

"Octopus's Garden" is toward the last third of the performance. I'm looking around for some clips from earlier parts of the show, which begins with background from the Beatles' origins in Liverpool during WWII.

I love this, in any case.

Bonus: Ringo live clip. He was touring last month, and spoke to the 5th anniversary audience by satellite feed.

The Beatles LOVE Cirque du Soleil

My wife and I have seen three performances so far by Cirque du Soleil. The shows are simply outstanding, but nothing's left me with the same feelings as the LOVE production. I'll be writing about it this weekend, and posting music videos and commentary. I've never been an absolute Beatles junky. The show was transformative, however. I can see better than ever how important The Beatles are to American culture. And not just from the show, which was so good — exquisite even. It's the fans, the excitement, and the demand for it all. I'll save some thoughts for later this morning. Here's the brief advertisement at the Mirage YouTube page:

The BBC had a write up in 2006, "Love unveils new angle on Beatles."

And last month, at Las Vegas Sun, "Paul McCartney, Yoko Ono lead celebration for ‘Love’ anniversary."

See the write up at Rolling Stone, "Paul McCartney Celebrates Fifth Anniversary of the Beatles 'Love' Show: Yoko Ono, Sean Lennon also attended Las Vegas performance."

John Lennon's Second Thoughts

Recall that by 1979 John Lennon was becoming outwardly conservative.

From David Swindle, at FrontPage Magazine:

How will the Left respond to these revelations? If the first reaction at The Los Angeles Times is any indication, the attempt might be to damage the credibility of the witness. Tony Pierce does not even bother commenting on the claims and instead noted that Seaman plead guilty in 1983 to stealing photos, journals, and letters from Lennon.

Jon Wiener at The Nation also jumped on this strategy to defend the icon he wrote a whole book promoting. Wiener went further though, trying to pass off a bland written statement in support of a group of striking workers and an ambiguous comment that the 1960s “gave us a glimpse of the possibility” of a better world as evidence that Lennon died a progressive. (At Salon Justin Elliott regurgitates this weak tea response.) Wiener ends with another ad hominem against Seaman, noting the former personal assistant also tried to “cash in” on his Lennon connection before with a book. Wiener fails to explain what financial stake Seaman could possibly have today in telling lies about Lennon’s politics.

It’s worth remembering that The Nation was the publication with the longest track record of defending the innocence of the Rosenbergs — regardless of every new piece of evidence to emerge over the last 30 years.

The problem with this kill-the-messenger strategy is that it labors under the mistaken impression that Seaman’s anecdotes are the only proof of Lennon’s Second Thoughts. As soon as one starts looking at Lennon circa 1980 as a Reagan conservative, more and more long-available evidence comes into focus. Old, familiar statements suddenly make sense in a new way. Some writers had even already theorized of Lennon’s political shift.

Well, progressives still have Paul McCartney!

Read the whole thing anyway. Progressive heads exploding at the news! You gotta love it!

'My Generation'

Via Kurt Loder, on Twitter:

John Lennon a Republican?

Well, if true, I might be able to enjoy The Beatles again (or enjoy them more, since I won't be so reminded of Lennon's stupid political idealism, and I love George Harrison no matter what).

At the Toronto Sun, "Lennon was a closet Republican: Assistant."

And worth a look: Daniel Foster, at National Review, "Fool Comes Down from Hill." (At Memeorandum.)

John Lennon a Republican?

Well, if true, I might be able to enjoy The Beatles again (or enjoy them more, since I won't be so reminded of Lennon's stupid political idealism, and I love George Harrison no matter what).

At the Toronto Sun, "Lennon was a closet Republican: Assistant."

And worth a look: Daniel Foster, at National Review, "Fool Comes Down from Hill." (At Memeorandum.)

'American Girl'

Well, the big surprise of the day, at Politico: "Tom Petty wants Bachmann to lay off 'American Girl'."

It would be another way in which a GOP candidate could compare themselves to Ronald Reagan, who Bruce Springsteen called out for using "Born in the USA" as a campaign song.

And at Raw Story, "Tom Petty reportedly issuing cease and desist letter to Bachmann" (via Memeorandum).

'Hitler's in the Charts Again'

An encore from last year, more relevant all the time:

Listen to the sound of the soldiers dancing
Armageddon time on the firing line
Don't know what they're doing
Looks like trouble's brewing
Wunderbar, auf wiedersehen
Hitler's in the charts again
You look like a tramp - put you in a camp
Join the shower queue in your dancing shoes
Be the dancing champ of your concentration camp
Keep on movin' fast, remember Belsen was a gas
Hitler's in the charts again
Moving in a trance, watch the soldiers dance
Bloodstains on their feet, scared of everyone you meet
Army's on the street, can you feel the heat
Watch the soldiers fall - it couldn't happen here ...

U2 Live at Angel Stadium Anaheim

At LAT, "Live Review: U2 at Angel Stadium":

U2, formed in Dublin, Ireland, in 1976, returned to the Southland to make up for two concerts they were forced to cancel when singer Bono, 51, injured his back during rehearsals last spring.

During that forced intermission, other real-life hurdles challenged the notion that the band was indestructible. U2’s two principal songwriters, Bono and guitarist The Edge, teamed up with director Julie Taymor for a Broadway adaptation of Spider-Man called “Spider-Man: Turn Off the Dark” that has become the butt of jokes, the scene of injuries and the target of scathing reviews for nearly two years.

In an early critique of a preview "Spider-Man" performance, Times critic Charles McNulty called the music created by the two “a cacophonous brew.” The refurbished show officially opened last week, and the new reviews aren’t much better. Add to that Thursday's news that the California Coastal Commission had rejected The Edge's development proposal, decried by many conservationists, to build five mansions on an undeveloped site above Malibu, and, well, this hasn’t been a great year for U2.
So the question pre-concert became: How deep were these wounds? Could the power of music help redeem a band that throughout its career has declared over and over again its desire and ability to do just that? Basically, could U2 still bring it?

At the beginning of the concert, not really. Starting with “Even Better Than the Real Thing,” the band sounded muddled, the engine of the music not yet warm, the stadium not yet tuned, the fans experiencing the initial adrenaline rush but not yet buried inside the rhythms. And “I Will Follow,” the first cut on the band’s first album, "Boy” (1980), hasn’t aged well, even if it pulls at the nostalgia strings for many; the rhyme scheme is young and clumsy, the guitar line relatively simple and undynamic.

And when, during “Get on Your Boots,” two rolling bridges that connect different parts of the circular stage first rolled into place and The Edge and bassist Adam Clayton played in the middle above the crowd, the maneuver felt very 2009; too staged, too postured, and a touch clumsy -- even though the song is one of the danciest, most propulsive songs in the band’s catalog.

But something magical happened about 20 minutes in, during “Elevation.” Maybe it was the overjoyed crowd bellowing the song’s “Woooo-oooo” chorus in unison, or the way the lights reflected off the masses. Whatever it was, it rushed across Angel Stadium like a cold front, leaving in its wake the sacred sensation that all music lovers seek. The sound and vision clicked, the world started sparkling, the audience moving and singing as one. The moment swirled as Bono went carnal on us: “Higher than the sun, you shoot me from a gun,” he declared to his lover, and the thousands did it too. “I need you to elevate me here/At the corner of your lips/As the orbit of your hips’/Eclipse.

Amy Winehouse Booed Off Stage in Serbia, Cancels Part of European Tour

I spent three years in L.A. going to concerts, nearly every weekend, and the only performer I can recall on stage this drunk was Darby Crash of The Germs. He could sing, no matter how wasted, but he died from a drug overdose in 1980, just a couple days after the last time I saw the band play. I've never seen Amy Winehouse, but this is just sad. It's all sad, the drugs, the lost promise, the death. At the Independent UK, "They know that she's no good... Amy Winehouse booed off stage in Serbia," and Los Angeles Times, "Amy Winehouse cancels part of European tour":

That's When We Fall in Line...

The Go-Go's are touring. My wife and I tried to get tickets for their Pechanga show (August 20th), but it sold out fast. The band played on the Dancing With the Stars finale, although this is an earlier clip:

California Coastal Commission Rejects U2 Guitarist's Plan for Five-House Compound Near Malibu

Apparently not a "Beautiful Day" for U2's The Edge.

At Los Angeles Times, "Coastal Commission rejects U2 guitarist's Malibu development plan":

The California Coastal Commission on Thursday rejected a controversial proposal by U2 guitarist the Edge to build five mansions on a rugged ridgeline above Malibu that is home to mountain lions and native chaparral.

The 8-4 vote was the culmination of what has become a closely watched property rights battle between the musician, whose real name is David Evans, and the agency that regulates development along the California coastline.

"In 38 years of this commission's existence, this is one of the three worst projects that I've seen in terms of environmental devastation," Peter Douglas, the agency's executive director, said in an interview after the vote. "It's a contradiction in terms — you can't be serious about being an environmentalist and pick this location" given the effects on habitat, land formation, scenic views and water quality.

Douglas said he expected the matter to end up in court.

More at that link above.

And from Steve Lopez, "The Edge is a bully, not an environmentalist."

Dave Alvin at L.A. Times Magazine

See "Troubadour of Troubled Times":

Over the course of roughly three decades, Alvin has compiled one of the great, if underappreciated, California songbooks, cataloging the people and places most overlook or choose to ignore.

His is not the confectionary California of endless summers and Hollywood glitter or the kooky capital of New Age seekers and sunbaked hedonists. Alvin sings of life on the margins and between the cracks, of farm workers and illegal immigrants, of meth heads and lost souls and places like Bellflower, Fontana, the High Sierra and the 605 Freeway.

He sings in a throaty rumble of love and loss and ghosts of things past. California natives, Alvin believes, suffer an odd kind of nostalgia that comes when talk of old times refers not to generations ago but a period only a few years back. “By the time you’re 20, you’re 40 in the sense of waking up in the morning and thinking, Let’s go see the orange groves. But they’re not there anymore,” he says. “They’re just gone.”

lvin, a fourth-generation Californian, born and raised in Downey, wrote one of his best songs, “Dry River,” about the cement channel running through his hometown. He recalls the time he bicycled to an orange grove near his home, only to find a field of stumps. The trees had been chopped down overnight to make way for apartments and commercial development.

Alvin, 55, has never been an overtly political singer, in the sense of writing protest songs or lending his name to a cause. But he is an acute observer of politics—especially California politics—and with the Golden State in seemingly perpetual crisis, with high unemployment, meat-cleaver budget cuts and a government paralyzed by partisanship, he suggests the state, as we know it, may be headed the way of those orange groves. Listen closely, and you might hear it in a song.

RTWT.

I grew up in the City of Orange, and walked to school through orange groves. You miss them when they're gone. There's still a few left, actually, but few and far between. This is Orange County, for crying out loud.

BONUS: Check Dave Alvin's website.